| DATE | PRODUCT | STATUS | DIRECTOR |
|---|---|---|---|
| 1968/71 | FALMOUTH SCHOOL OF ART | ||
| 1971/74 | NATIONAL FILM SCHOOL | ||
| 1974/76 | SPARKS ASSOCIATES | Chief Scenic Artist | |
| 1975 | EXCORCIST II | SFX Assistant | John Boorman |
| 1975/76 | SPACE 1999 | SFX Assistant | Charles Crichton + Others |
| 1976 | MEDUSA TOUCH | SFX Assistant | Jack Gold |
| 1977 | REVENGE OF THE PINK PANTHER | SFX Assistant | Blake Edwards |
| 1978 | ALIEN | SFX Assist - Model Camera | Ridley Scott |
| 1979 | STAR WARS - EMPIRE STRIKES BACK | SFX Assistant | Irvin Kershner |
| 1980 | DRAGONSLAYER | Camera Technician | Mathew Robbins |
| 1980 | FINAL CONFLICT | Optical Effects Supervisor | Graham Baker |
| 1980 | LOOPEHOLE | SFX Technican - Practical | John Quested |
| 1980/81 | ARKADON COMPANY FORMED |
SFX Supervisor | Nick Pollock and Dennis Lowe |
| 1981/82 | SPACEWORKS (Motion Simulator) | SFX Director | |
| 1982 | KRULL | Motion Control Consultant | Peter Yates |
| 1982/83 | NEVER ENDING STORY | Optical Effects Director | Wolfgang Peterson |
| 1984 | LEGEND | Optical Effects Director | Ridley Scott |
| 1984/85 | LORCA & THE OUTLAWS | Motion Control Director | Roger Christian |
| 1985 | ENEMY MINE | Blue Screen Effects | Wolfgang Peterson |
| 1985 | LABRYNTH | Field Recorder Consultant | Jim Henson |
| 1985 | GUNBUS | Motion Control Consultant | Zoran Peresic |
| 1985/86 | AMERICAN WAY | Optical Effects Director | |
| 1985/86 | CARNIVAL NIGHT | Optical Effects Director | |
| 1986 | ALIENS | Optical Effects Director | Jim Cameron |
| 1988 | SLIPSTREAM | Motion Control Director | Steven Lisberger |
| 1989/90 | 2 years sabbatical taken in Italy to study |
||
| 1991 | MAP OF THE HUMAN HEART | Model Lighting Camerman | Vincent Ward |
| 1992 | Mural painting in Italy | ||
| 1993/94 | FRANKENSTEIN | Model Lighting Camerman | Kenneth Branagh |
| 1994 | MARY REILLY | Motion Control Consultant | Stephen Frears |
| 1994/95 | FIRST KNIGHT | Visual Effects Consultant | Jerry Zucker |
| 1995 | SENSE AND SENSIBILITY | Visual Effects Consultant | Ang Lee |
| 1996 | ENGLISH PATIENT | Visual Effects Supervisor | Anthony Minghela |
| 1996/97 | ODYSSEY | Model Lighting Camerman | Andrei Konchalovsky |
| 1997 | INVASION EARTH | Visual Effects Supervisor | Patrick Lau |
| 1998 | DARK BLUE WORLD | Visual Effects Supervisor | Jan Sverak |
| 1999 | OLIVER TWIST | Visual Effects Supervisor | Renny Rye |
| 1999 | THE TALENTED MR. RIPLEY | Visual Effects Supervisor | Anthony Minghela |
| 2000 | DARK BLUE WORLD | Visual Effects Supervisor | Jan Sverak |
| 2000 | THE DREAMER (Short) | Visual Effects Supervisor | Miguel Sapochnik |
| 2001 | HANS CHRISTIAN ANDERSON | Visual Effects Supervisor | Philip Saville |
| 2001 | 2000 ACRES IN THE SKY | Visual Effects Supervisor | Renny Rye |
| 2002 | YELLOWBIRD (Short) | Visual Effects Supervisor | Tom Hooper |
| 2002 | COLD MOUNTAIN | Visual Effects Supervisor | Anthony Minghela |
| 2002 | 2000 ACRES IN THE SKY (2nd series) | Visual Effects Supervisor | Renny Rye |
| 2003 | COLD MOUNTAIN | Visual Effects Supervisor | Anthony Minghela |
| 2004 | HOTEL RWANDA | Visual Effects Supervisor | Terry George |
| 2005/06 | PERFUME | Visual Effects Supervisor | Tom Tykwer |